The full book in Hebrew and English, with 50 notes on its verses and words and six essays, all drawn from J.J. Kimche’s six-part lecture series on the Bible’s great philosopher.
Welcome to the Book of Ecclesiastes. A short trailer for the reader, and the original trailer for the series it is built on.
J.J. Kimche’s six lectures on Kohelet: hevel, joy, God, death, and 2,300 years of commentary.
One for each lecture, written up as an essay in his voice. Verse references jump straight into the text.
Words in gold carry a note. Each note links to the moment in the lecture it comes from.
From the root k-h-l, to gather. It is not clear what he gathers. Some say people, making him a street preacher or popular philosopher. Others say sayings, making him a collector of maxims. Either way, I distinguish the book, Ecclesiastes, from the man, Kohelet, the philosopher who speaks within it.
For most of history, “son of David, king in Jerusalem” meant Solomon, around 1000 BCE. But Persian loanwords, heavy Aramaic, and a clear dialogue with Stoic and Epicurean thought point to Judea in roughly the third century BCE. That is some seven centuries later. Kohelet is putting on a royal costume.
This first verse is not Kohelet speaking. It is an editor introducing him, the same hand that returns at 12:9 to close the book. Kohelet’s own words run from 1:2 to 12:8.
The whole problem of the book in one word, used nearly forty times. Literally: the breath you see on a cold morning, hanging for a moment and then gone. In Kohelet it means three things at once: fleeting, meaningless, and wrong, disordered, not as it should be.
The King James “vanity” (from Jerome’s vanitas) now suggests a mirror and self-regard. Michael Fox chose “absurdity,” after Camus. I prefer “futility,” or “in vain,” because it both describes and condemns: fleeting, and therefore not worth the investment.
In Genesis toil is Adam’s curse; in Job it is a trial. In Kohelet it is worse: simply the human condition. There is no life without it, and no guarantee it yields anything. Even when it succeeds, it is doomed anyway.
The rabbis seized on this phrase. Everything under the sun, the physical world, may indeed be futile. But what is above the sun, the soul and the world to come, is untouched. The Talmud (Shabbat 30b) says the book was kept in the canon because its beginning and end are words of Torah.
The opening poem sets the fleeting human against nature’s endless cycles. Get married, win the lottery, lose your whole city in a flood: the sun will still rise in the east tomorrow. Rashbam saw this poem as the key to the whole book.
Careful readers will notice that all four ancient elements appear in this poem: earth (v. 4), fire in the sun (v. 5), air in the wind (v. 6), water in the rivers (v. 7). All of nature turns and turns, and human life comes and goes.
Everything flows as it should, because it is all hevel. You do not matter, not even from the perspective of nature’s ordinary rhythms, never mind eternity.
Homer’s heroes chase kleos, glory: a name that echoes down the ages and grants a kind of immortality. Kohelet slams that door. No one will remember you, and if they did it would not matter, since they too will die.
The rabbis noticed the past tense and built a legend on it: Solomon, deposed for his sins, wandering the earth as a beggar, gathering wisdom, finally restored to his throne. Nothing like it appears in Kings or Chronicles. It is midrash at its most inventive.
Hevel’s partner phrase. You grasp at it and there is nothing in your hand.
I built, I planted, I made, I gathered, I saw, I said. Count the I’s in chapter two. Kohelet is a radical individualist, the ancient equivalent of a brain in a vat, with no family, tribe, or people in view. For a lone individual, hevel is urgent. The wider your circle of meaning, the less it can reach you.
Imagine someone who has run Tesla, won the Nobel Prize in Literature, been elected President, and received tenure. Kohelet has every achievement and every pleasure, and verse 11 calls it all hevel.
Bertrand Russell, in “A Free Man’s Worship,” found freedom in contemplating fate. Kohelet refuses that consolation. Wisdom beats folly as light beats darkness, and the wise man still dies exactly like the fool.
To my mind one of the most important verses in the book. Kohelet is no detached observer shrugging at the universe. There is rage here, and protest. Ecclesiastes isn’t just a book. It’s a mood.
Too earthy for later readers. The midrash turned eating and drinking into good deeds and Torah study; Jerome turned them into the sacrament. Luther, by contrast, took them at face value, as gifts of God to be enjoyed rightly.
Some read the song of the seasons as more of the problem: arbitrary times, none of them meaningful. I read it as the solution. Even a landscape that ends has peaks and valleys. Know when to plant and when to uproot, and you can work with the grain of the world rather than against it. Compare Marcus Aurelius, and Hesiod’s Works and Days.
The best-known lines in the book (thank you, Forrest Gump, and the Byrds). Fourteen pairs, from birth and death to war and peace.
God has made everything beautiful in its time, and has set olam, eternity, in the human heart, yet we cannot find out His work from beginning to end. Hevel may be an us problem, a limit of human knowing, not a world problem, and certainly not a God problem. That leaves a door ajar.
Nothing can be added to God’s work and nothing taken away. Is Kohelet a Stoic determinist, then? I think not. He gives too much advice for that. Better to call him a fatalist: we can act, but outcomes are not ours.
God judges, God tests. But the test seems designed to show us that we are animals, and that our fate is the fate of animals.
All go to one place, all are from the dust, all return to dust. Among the most jarring verses in the book, and in the whole Hebrew Bible.
The Hebrew Bible never teaches an afterlife. There is only Sheol, a shadowy Hades. Here, for the very first time, the possibility of the spirit rising is raised, and Kohelet immediately casts doubt on it. Maybe. We have no idea. For two thousand years commentators have supplied the afterlife he declined to.
A Psalm would have the oppressed cry out to God. Kohelet just records the tears. His God does not communicate. There is no prayer and no revelation in the entire book.
All toil and skill springs from rivalry with one’s neighbour. Why compete, why get rich at another’s expense, when everyone dies and everything is forgotten?
A rare moment where even Kohelet concedes that two are better than one. It is exactly the thread I wish he had pulled on: a life bound up with others is harder to break than a single strand.
In a Bible full of temples, vows, and offerings, this is deeply subversive. Tread carefully in the house of God. Do not throw yourself into the machinery of religion. Rather: fear God.
Human beings are bad at keeping promises. Better to make none than to break one. Stay modest, stay who you are.
God gives wealth, and God separately gives the ability to enjoy it. Everything, even joy itself, sits under His sovereignty.
You cannot take it with you. There are no pockets in a shroud. And even while you have it, the human heart is never satisfied. Hardly anyone with two hundred million says: that’s enough, thank you, I’m retiring.
The Hebrew is sharper than most translations. Not despite his righteousness but through it, because of it. The good man perishes precisely because he is good; the wicked man survives precisely because he is wicked. No moral karma at all.
Even if a sage claims to know, he cannot find it out. For a book of the wisdom tradition this is a remarkable admission: wisdom itself has a hard ceiling.
Righteous and wicked, clean and unclean, the one who sacrifices and the one who does not: one fate for all. Death erases every distinction, moral and social.
…is better than a dead lion. Death is the great silencer.
Bread, wine, white garments, oil, the one you love. These are small, Epicurean joys, not wild revelry. Here is the kicker: it is precisely because life is fleeting that these moments taste so sweet. Hevel does not only threaten joy. It sharpens it.
Even the invitation to joy is framed by futility. That is the point.
The race is not to the swift, nor the battle to the strong. Talent, wisdom, and skill guarantee nothing. Time and chance will nullify them or simply destroy you.
Rejoice in the light, but remember the days of darkness, for they will be many. Do not mistake a moment of contentment for a description of life as a whole.
An almost exact inversion of the Torah’s warning not to stray after your heart and your eyes. It caused the commentators no end of headaches. Kohelet adds at once: know that God will bring you to judgment. Live well, and carry the clock with you.
The opening of one of the most haunting reflections on death anywhere in literature, in my characteristically humble opinion.
(1) A household winding down at the death of its master: the mills fall silent, the windows darken. Think of Auden’s “Stop all the clocks.” (2) The aging body: grinders are teeth, windows are eyes. (3) The slow death of humanity itself, not with a bang but a decline, a dark mirror to the apocalypses of Kohelet’s day.
Read as the body failing: white hair, a dragging gait, desire gone. One thing after another stops working. This is the lengthy, painful business of aging that troubles Kohelet as much as death itself.
Images of something precious breaking, whether a life or a lamp or a species. Then the dust returns to the earth as it was.
Kohelet’s last words exactly mirror his first (1:2). He never revises his diagnosis. The book goes round and round, like the sun and the wind, and arrives nowhere.
At twenty, Shadal wrote a commentary condemning this book. At sixty he published it with a note: he had changed his mind. Those who live for themselves really do live lives of hevel. Those who live for others do not.
A new voice, speaking of Kohelet in the third person. Rashbam noticed this in twelfth-century France, perhaps the first commentator in any tradition to do so. And the editor calls Kohelet a sage, which, for a book that undermines wisdom, is revolutionary.
Wisdom is sharp. It prods, like a shepherd’s goad, and causes discomfort in order to keep the flock moving.
Fear God and keep His commandments, which appear nowhere else in the book. The usual reading is that the editor sanitized Kohelet to get him into the canon. I think he assimilated him: an irreducible voice, one book on the shelf, but not the whole library. To build an entire life on Kohelet alone is, to my mind, ill-advised.
Everything here comes from these six talks. Watch the originals.